Active Filters:
Composition: Ensemble
Play Time: 1:00 - 1:30
Clear All Filters

Tags

Bach
J.S. Bach: Chorale: Es ist genug (BWV 60, #5) with analysis
BSG
1:21 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 3 6 100%
Bass Bass 15 0 5 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 3 6 100%
Bass Bass 15 0 5 6 100%
Contrabass Bass 15 0 5 6 100%
Soprano Treble 6 0 1 4 100%
Tenor Treble 12 0 4 5 100%
 
Johann Sebastian Bach - Marcha para Orquestra
mavojazz
1:20 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violas 12 0 1 4 100%
Violinos
1		 Treble 14 0 3 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violas 12 0 1 4 100%
Violinos
1		 Treble 14 0 3 4 100%
Violinos
2		 Treble 14 0 3 5 100%
Violinos
3		 Treble 12 0 1 4 100%
Violoncelos Bass 15 0 1 4 100%
Tímpanos Bass 2 0 0 4 58%
 
Green Greens (Kirby) For String Orchestra, Quartet, Or Quintet
pockies
1:01 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 20 0 0 7 95%
Treble 19 0 0 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 20 0 0 7 95%
Treble 19 0 0 6 100%
Viola 19 0 1 6 100%
Violoncello Bass 17 0 0 6 100%
Double
Bass		 Bass 8 0 0 5 57%
 
C.P.E. Bach: Polonaise in G Minor
jrd2014
1:04 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 25 3 1 7 98%
Bass 16 2 3 3 98%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 25 3 1 7 98%
Bass 16 2 3 3 98%
Flute Treble 17 0 2 5 98%
Oboe Treble 12 0 1 6 98%
Viola Bass 16 0 2 5 95%
Violoncello Bass 15 2 4 3 93%
 
J.S. Bach: Chorale: Betrübtes Herz, sei wohlgemut (BWV 428) with full analysis
BSG
1:00 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 5 100%
Bass Bass 17 0 5 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 5 100%
Bass Bass 17 0 5 3 100%
Contrabass Bass 17 0 5 3 100%
Soprano Treble 8 0 0 4 100%
Tenor Treble 9 0 1 4 100%
 
Rondeau en B minor
musicmakerss
1:29 Est. Play
Time
64 Measures
1,343Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 23 39 7 4 100%
Bass 21 13 6 6 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 23 39 7 4 100%
Bass 21 13 6 6 97%
Bassoon Bass 16 0 5 5 100%
Viola 19 1 7 4 100%
Violin Treble 20 2 8 3 100%
Violoncello Bass 21 1 6 6 100%
 
J.S. Bach: Unter deinen Schirmen (BWV 227, #3)
BSG
1:05 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 12 0 2 5 100%
Treble 10 0 3 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 12 0 2 5 100%
Treble 10 0 3 4 100%
Alto Treble 10 0 1 5 100%
Bass Bass 14 0 3 4 100%
Tenor Treble 13 0 4 4 100%
 
Bach - Missa in F Major, Gloria. {Professional production full score.} Unfinished.
Jamie Holdham
1:07 Est. Play
Time
89 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo. Bass 13 0 1 3 100%
Violino
I.		 Treble 16 0 2 4 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo. Bass 13 0 1 3 100%
Violino
I.		 Treble 16 0 2 4 100%
Violino
II.		 Treble 15 0 1 4 100%
Viola. 16 0 2 3 97%
Oboe
I.		 Treble 15 0 2 5 77%
Oboe
II.		 Treble 12 0 1 5 77%
Corno
I.		 Treble 10 0 0 4 63%
Corno
II.		 Treble 9 0 0 4 57%
Basso. Bass 13 0 1 3 47%
Tenore. 13 0 2 3 43%
Alto. 11 0 1 2 27%
Soprano. 12 0 1 2 23%
 
Verleih uns Frieden gnädiglich
euphonic
1:12 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B
Trompete		 Treble 9 0 1 5 100%
Treble 10 0 2 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B
Trompete		 Treble 9 0 1 5 100%
Treble 10 0 2 6 100%
Euphonium Treble 16 0 4 6 100%
Euphonium Treble 11 0 2 6 100%
 
Oeuvre pour Chœur et Orchestre - Introduction pub1
Zorglub Degaulle
1:21 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto 19 0 4 3 100%
Flûte Treble 16 10 4 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto 19 0 4 3 100%
Flûte Treble 16 10 4 5 100%
Hautbois Treble 15 9 4 5 100%
Violon
1		 Treble 26 16 8 5 100%
Violon
2		 Treble 21 0 7 2 100%
Basson Bass 17 0 5 5 96%
Violoncelle Bass 24 15 8 5 96%
 
Orchestral Suite No. 2 in B Minor, BWV 1067 VII. Badinerie
Nevin Williams
1:22 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 62 7 3 100%
Bass 22 0 5 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 62 7 3 100%
Bass 22 0 5 3 100%
Violin Treble 15 0 5 4 100%
Treble 18 0 4 5 100%
Contrabass Bass 22 0 5 3 100%
Viola 16 0 3 3 100%
Violoncello Bass 22 0 5 3 100%
Flute Treble 18 0 5 5 99%
 
J.S. Bach: Weg mit allen Schätzen (BWV 227, #7)
BSG
1:03 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 4 5 100%
Bass Bass 16 0 5 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 4 5 100%
Bass Bass 16 0 5 4 100%
Soprano Treble 12 0 2 5 100%
Tenor Treble 13 0 3 5 100%
 
Was willst du dich, o meine Seele, kränken (BWV 425) for wind quartet
Nednedflanders
1:15 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 19 0 6 5 100%
Flute Treble 10 0 2 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 19 0 6 5 100%
Flute Treble 10 0 2 4 100%
Horn
in
F		 Treble 15 0 5 5 100%
Oboe Treble 12 0 4 4 100%
 
J.S. Bach: Von Gott kommt mir ein Freudenschein (BWV 172, #6)
BSG
1:28 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 6 0 0 3 100%
Bass Bass 14 0 1 3 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 6 0 0 3 100%
Bass Bass 14 0 1 3 100%
Contrabass Bass 14 0 1 3 100%
Soprano Treble 8 0 0 3 100%
Tenor Treble 8 0 1 5 100%
Violin Treble 15 0 1 3 100%
 
J.S. Bach - Choral "Aus Tiefer Not Schrei Ich Zu Dir", BWV 38
Joâo Schnier
1:07 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clarinette
en
Si♭		 Treble 7 0 0 4 100%
Treble 11 0 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clarinette
en
Si♭		 Treble 7 0 0 4 100%
Treble 11 0 2 3 100%
Treble 10 0 2 3 100%
Clarinette
Basse		 Treble 13 0 2 3 100%
 
30. Aus meines Herzens Grunde, BWV 269.
SDG
1:20 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 10 0 1 5 100%
Treble 10 0 1 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 10 0 1 5 100%
Treble 10 0 1 5 100%
Bass 14 0 0 5 100%
Bass 14 0 0 5 100%
Soprano/Alto Treble 10 0 1 5 100%
Tenor/Bass Bass 14 0 0 5 100%
Contrabass Bass 9 0 0 4 50%
 
BWV 925, Little Prelude in D - (Revised and modified Dec 28, 2109)
Astrel
1:06 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 20 7 3 6 100%
Treble 18 7 3 6 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 20 7 3 6 100%
Treble 18 7 3 6 100%
Contrabasses Bass 15 0 2 3 100%
Violas 22 1 2 4 100%
Violoncellos Bass 20 0 2 5 100%
C
Trumpet		 Treble 17 4 2 7 94%
Horn
in
F		 Treble 18 1 2 5 94%
Flute Treble 13 7 2 6 73%
Oboe Treble 14 4 1 5 73%
B♭
Clarinet		 Treble 18 0 2 5 69%
A
Bass
Clarinet		 Treble 19 0 1 4 67%
 
Invention IV
AkioSaito
1:25 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 0 0 8 100%
Bass 19 0 0 8 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 0 0 8 100%
Bass 19 0 0 8 100%
Harpsichord
I		 Treble 15 0 0 7 100%
Harpsichord
II		 Treble 14 0 0 8 100%
 
378. Wie bin ich doch so herzlich froh, BWV1 #6, J.S. Bach. Wie schön leuchtet der Morgenstern.
SDG
1:05 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 0 4 100%
Treble 9 0 0 4 100%
View all 21 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 0 4 100%
Treble 9 0 0 4 100%
9 0 0 4 100%
Soprano Treble 8 0 0 2 100%
Treble 8 0 0 2 100%
8 0 0 2 100%
Bass Bass 14 0 2 3 100%
Bass 14 0 2 3 100%
Tenor Treble 9 0 0 4 100%
Treble 9 0 0 4 100%
Basso. Bass 14 0 2 3 100%
Continuo. Bass 14 0 2 3 100%
Corno
I.		 Treble 8 0 0 2 100%
Corno
II.		 Treble 10 0 1 5 100%
Oboe
di
caccia
I.		 9 0 0 4 100%
Oboe
di
caccia
II.		 9 0 0 4 100%
Tenore 9 0 0 4 100%
Viola. 9 0 0 4 100%
Violino
I.		 Treble 8 0 0 2 100%
Violino
II.		 Treble 9 0 0 4 100%
Violoncello Bass 14 0 2 3 100%
 
31. Aus tiefer Noth schrei ich zu dir, BWV 38 #6, Chorale, Martin Luther.
SDG
1:00 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 2 4 100%
Treble 12 0 2 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 2 4 100%
Treble 12 0 2 4 100%
Bass 21 0 4 3 100%
Bass 21 0 4 3 100%
Soprano/Alto Treble 12 0 2 4 100%
Tenor/Bass Bass 21 0 4 3 100%
Contrabass Bass 15 0 2 3 53%